The Statue

My mother always called it “the credenza,” a fancy name for a small cabinet holding a few liquor bottles (for my parents’ few parties) and blackberry Manischewitz (for shabbat). On top sat whatever family photos were in rotation and a bronze statue of Moses holding the ten commandments.

I didn’t always know it was Moses. At first I thought he was a mythological creature, and given my views on religion sometimes, that wasn’t far off. Plus the statue, a replica of the one made by Michelangelo, had horns. As a kid growing up in the south where some people believed Jews had horns, I didn’t think Moses was doing a good job bucking stereotypes. But he was there through my childhood and teenhood, watching with steely eyes when I stole a taste of rum and refilled the bottle with tap water. Consider him a biblical precursor to Elf on the Shelf. One day, after college graduation, after my parents divorced and remarried other people, Moses was replaced by a crystal bowl.

This February,  I traveled to Israel with a group of 17 other children’s writers, a trip that was sponsored by the PJ Library. The goal was to make connections, with Israel and with each other. I’d been in a stuck place in my writing for many months, and I thought what I needed was desert air and a brand new landscape. But in many ways, Israel felt like a return to a place I’d never been. That feeling was confirmed when we visited Sde Boker, a kibbutz in the Negev and the last home of David Ben-Gurion, the first prime minister of Israel.

There on a shelf was the statue of Moses I knew from my childhood, watching over Ben-Gurion just as he’d watched over me.

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Mistakes, Middle School and Poetry

Mistake Anthology Cover smallerThose of us who grew up on Sesame Street spent a lot of time listening to Big Bird wax poetic about making mistakes. Everyone makes them, he said, why can’t you? But while Big Bird was chill with the idea, it took Maryland poet Tabatha Yeatts a few extra years to buy in. She was especially hard on herself as a teen, she writes in Imperfect: poems about mistakes, an anthology for middle schoolers. She didn’t want to make them. Looking back now, she has a different understanding and perspective. And she doesn’t want teens, including her own, to feel the way she did. Her book, which includes some of her own poems along with poems by Margarita Engle, Liz Garton ScanlonApril Halprin Wayland and many others, analyzes imperfection and at times, celebrates it. The book is out today, in time for National Poetry Month.

Tabatha and I are from the same hometown, so I thought I’d interview her to give her The Blacksburg Bump. (If I say that’s a thing does that make it a thing?)

Me: I can guess the answer to this, but why did you focus on middle school for this anthology? 

Tabatha: I feel like every age can benefit from understanding that we’re all imperfect, but middle schoolers seem particularly hard on themselves (and others). Also, when you look at poetry anthologies, you can get the feeling that middle schoolers are a bit left out. It’s nice to say, “Hey, I see you and you’re okay!”

Me: What were you like as a middle school kid?

Tabatha: Me? I think I was pretty scared of doing the wrong thing all the time, so I didn’t feel like I had room for making mistakes. And I was pretty sure other people didn’t make mistakes!

Me: What was the first poem you knew was going into this anthology? How did you choose the others?

Tabatha: I told Margarita Engle about my idea for the anthology and she gave me her poem, so that was the first one. It was such a show of faith in my plan that I figured I had better go through with it!

Actually, there was a poem that was around before that, “What Goes Wrong,” which I wrote after I heard that people make mistakes every hour. Every hour?! I had been surprised because I would have guessed mistakes were made much more infrequently. It made me think about the difficulty of being the president, or a brain surgeon, or anyone else whose mistakes can have big ramifications. And then I started wondering about small mistakes, the kind that we don’t really notice. I would say that the entire anthology started with those ponderings. 

A selection committee went over the poetry submissions to help determine what was included. I am so grateful for their input! One of the committee members is a teacher and she told me when she turned in her results that she had done the entire thing with her son, and they had discussed and debated them until they had one score to turn in for each poem. She said it had been a wonderful project for them to do together. I loved that!

Tabatha Outside 2018-1Me: Did being a parent have anything to do with your drive to create this anthology?

Tabatha: I would say yes, being a parent did contribute to my desire to make this happen. Not only for my kids, but for their friends. My kids’ high schools are pressure cookers. When my son was in elementary school, he related a story of one of his classmates getting a 98 on a paper and his parents asking, “Where did those two points go?”

Me: Talk a little about the variety of forms of poetry included here.

Tabatha: In addition to the types of poems that are discussed in the back matter, there are haiku, poems in couplets, limericks, free verse, poems that are aabb, poems that are abcb, and come to think of it, I think Tarzan and the Mangani Mistakes is a sonnet but Juleigh (Howard Hobson) and I never discussed it!

Me: Your back matter includes how to create certain poem forms, which I expected, and some wisdom on making good decisions and apologizing effectively, which I didn’t. Could you talk a little about the back matter you chose to include and why?

Tabatha: It occurred to me that when we are thinking about mistakes, we want to figure out how NOT to make them, which is why I included the part about making good decisions. Some mistakes you can see coming, if you look. Equally important is what to do after you’ve made a mistake, hence the section about apologizing. It’s a fundamental life skill that I’m not sure gets talked about to kids much at all.

Me: Did you make any mistakes putting together this anthology?

Did I make any mistakes? But of course! As the formatter and I went back and forth (and back and forth etc etc), I wondered, “Is it ironic that I am desperately trying to keep mistakes out of this book??”

Me: What is your hope for this collection?
Tabatha: One of the things that I hoped to do with the selection of poems was to not only appeal to different middle schoolers who might or might not have a lot of experience with poetry, but also to appeal to the same middle schooler at different times. Looking for a laugh, or someone to commiserate with? Things could change by the hour!

Me: What gave you the courage/gumption to take on this project yourself?

Tabatha: I have done a lot of volunteer work in the schools and when I do it, I think about the individual kids who might benefit. I have always felt like if one person was helped by something I did, it was worth doing. I feel the same way about IMPERFECT. It’s really from my heart to yours, mysterious mistake-making friend. It’s for you.

Me: When I visit schools, I’ve had some kids tell me that they aren’t good writers. I’ve been trying to get them to think of one part of their writing that IS amazing — break it down so it’s not so scary or daunting. Maybe they are great at writing about gross stuff. Or maybe they’re great at dialogue or naming characters or finding just the right word to describe a blueberry pie. So I thought I’d start asking writers, too: What is your writing super power?

Tabatha: Mine is Click-Writing…I can circle around a topic and circle around it until I figure out how I want to approach it. Then when I finally get that figured out, CLICK! It all comes out.

For more about Tabatha and the anthology, visit the Team Imperfect Blog. You can find Imperfect online at Amazon, Barnes and Noble, and Powell’s.

Posted in author interview, poetry, Poetry Friday | 2 Comments

Mary Hill: How She Died, How I Lived

Mary CrockettMary Crockett is my sometimes writing partner and my always friend. I could not be happier to talk with her about her new YA novel How She Died, How I Lived, which is coming out in November from Little, Brown. It’s about a girl overcoming survivor’s guilt when her friend Jamie is killed by another boy.
I was one of five. The five girls Kyle texted that day. The girls it could have been. Only Jamie–beautiful, saintly Jamie–was kind enough to respond. And it got her killed.
I’ve written both about Mary and with Mary (you can visit some of our old blog tour stops here) so I’m keeping the introduction brief and just jumping in:
Me: What inspired you to write this book, in particular?
Mary: How She Died, How I Lived was a bit different for me as a writer, because it wasn’t necessarily a book I decided to write. The story overtook me and made me write it, if you know what I mean.
I was hard at work on an entirely different manuscript when I saw in the newspaper that a young woman from my community who had been missing for days was found dead by the side of the road. She was murdered in a shockingly brutal way by a young man she knew and trusted. A young man, in fact, that she was trying to help.HowSheDiedGif
I was simultaneously outraged and overwhelmingly sad.
That story broke something in me. So I did what I do when I’m broken. I cried. And then picked up a notebook and pen.
Me: That sounds … hard. How did you keep moving forward?
Mary: It was a hard story to write–but I really felt this story mattered, and that faith kept me moving.
You know me, Madelyn. I love to laugh at silly jokes and goof around. I’m not the Doom and Gloom Patrol. So my challenge with this story was finding the light, even in the darkest of moments. And I did find it.
This is a story about healing and friendship and discovering out what’s worth living for, even in the wake of something horrific.
Me: Let’s talk a little about the writing process. Something I always struggle with as a writer is self-discipline. What do you tell yourself to keep yourself focused during the chaos of every day?
Mary: Oh wow. I fail. A lot.
I was trying to sit down yesterday to get going again on my work-in-progress after a looooooooong hiatus, and I swear, I just WOULD NOT DO IT.
I wanted to return to that manuscript that was half-written when I started How She Died, How I Lived, but I was going out of my way to find absolutely anything else to do instead. Heck, I resorted to doing laundry! By choice–not just because we ran out of underwear!
I felt so nervous, like someone had set me up on a blind date. Would the manuscript like me? Would I like it? What should I wear? 
So yeah, I’m not the person to ask about self discipline!
Me: (This makes two of us. Obviously, I do blog interviews when I should be working on other projects…)
How does raising teens while writing about teens — especially when the story turns dark — inform your writing?
Mary: When my daughter was younger, I tried to ignore the fact that she might one day read my stuff. You know, so I wouldn’t feel guilty about the cursing or kissing or bad behavior or whatever. But now she’s an older teen, which makes her the ideal target audience for How She Died, How I Lived. And she was my best reader, honestly.
I ask her, do you think I should change the language here or tone that part down? And she argues to keep it dark and edgy–because to her, that’s real. That’s what she hears and sees every day at her high school.
My teen sons are another story. I’m not sure they’re even aware what I do for a living. (That’s not entirely a joke.)
Me: Because I love hearing about lightness, too, so why don’t you talk about what it felt like to get a Y-E-S for this book?
Mary: It seems the universe keeps trying to teach me the lesson that I have to let go of my desire in order for the thing I want to happen.
This manuscript had been in circulation for quite a while, and quite frankly, I had lost hope. So I shrugged and went on about my business otherwise.
Luckily, my fantastic agent Emily Mitchell did not lose hope! She kept plugging away–so when I got the news that an offer was coming in (and not only an offer, but an offer from a press that has published some of my literary heroes!), I was out of my skin!
One of the best parts was sharing the news with my friends–all of whom had heard me moan and groan about how I was giving up.
I knew when I called to tell you my good news, Madelyn, you were genuinely as happy for me as I was for myself! And having a friend like that, who truly wants the best for me–that’s not something I take for granted. (Or at least I try not to!)
Me: We were over-the-top happy for you — we knew how hard you had worked!
I know you do all different types of writing, from poetry to news releases to grant proposals to YA. What was the first thing you ever published? Grade school counts.
Mary: When I was in 3rd grade, my teacher had the class write stories about having a wish granted. I think in my story an alien comes down from outer space and tells me I can have whatever I want, and I say “a friend!” and then the alien becomes my friend. The teacher went on about what a great story it was, and she had copies made that she passed out for all my classmates.
So at the time, I thought this was all due to my amazing story. But looking back as an adult, I realize my teacher must have been aware I was a friendless oddball who was regularly mocked (no pity–this is just the truth!), and I think she was trying to send a message to the class to be nicer to me. It didn’t work, but I was happy that she liked my story.
Now, I realize that pretty much the arc of anything I write–picture books, novels, whatever–is still just that story in a different form:
Someone needs a friend; someone gets a friend. The End.
Me: Besides the friend thing, are there themes that you go back to when you’re writing in different forms? Something that repeats in your poetry and your books and even in your picture book manuscripts?
Mary: Hmmm. Yes, the friend thing–but also oddities. The weird. The out-of-sync. The awkward.
Also, birds. The river.
More motifs than themes, I guess.
Me: What has writing in one form taught you about writing in another?
Mary: Poetry teaches you to listen to the quiet between words.
Prose teaches you to hurry up and say it already!
Me: Is there any form you’d like to tackle that you haven’t yet?
Mary: Verse novel, baby! It’s a gonna happen! I haven’t started yet, but hope springs eternal!
Me: And finally: What’s your writing super power? (This is a new question I’m asking in the hopes of assuring kids who say ‘I’m bad at writing’ that there is probably some aspect of it that they ace. Maybe they’re good at gross descriptions. Or kissing scenes — I always thought you, personally, were great at kissing scenes. Anyway, what do you think of as your super power?)
That’s a cool idea! Yeah! I suck at the big picture, but I’m pretty good at one word after another. One and then one and then one. And the big picture comes into focus soon enough.
Thanks, Mary!
You can preorder How She Died, How I Lived  from any independent bookstore or online. I hope you will, because pre-order sales help! Also, Mary is currently running a pre-order promotion. You’ll get exclusive digital content. Plus, you could win $50 at the bookstore of your choice. (Link to 
You can follow Mary on Twitter at @marylovesbooks and Instagram at @marycrockettwriter. And if you want to check out Dream Boy, Mary’s previous YA novel (the one she wrote with, ahem, me) I hope you’ll do that, too!
Posted in Uncategorized | 2 Comments


This winter’s gone by in a haze and I can’t exactly tell you where I’ve been. But I can tell you where I’ll be for the next few weeks.

this is just a test coverI’ll be in Richmond on April 21st as part of the RVA Litcrawl. All types of authors will be at the event. Stop by and talk to me and fellow MG writers Kathryn Erskine, Gigi Amateau and AB Westrick. I’ll be talking about This Is Just a Test — though without Wendy, who has some family stuff that weekend.




I’ll be at One More Page in Arlington on April 22 as part of an Earth Day celebration. I’ll be talking about Take Care and Sue Fliess will be talking about Mary Had a Little Lab.


I’ll be visiting public schools in Loudon County with my partner in crime Wendy Shang on April 25 — if I don’t get placed on a jury.

I’ll be at Temple Micah for the People of the Book festival on May 6th.

Wendy and I will be together at the Gaithersburg Book Festival on May 19th. Looking forward to seeing some amazing authors there!


Voting is o2018pen for the Children’s and Teen Choice Book Award. Stop by here to check out all of the books. This is Just a Test is a finalist in the 5th/6th grade category. Also: TEACHERS: If your class is celebrating Children’s Book Week and your kiddos have questions about the book, I am glad to answer or skype with your class if we can work out a schedule. Hit me up!

Voting is ALMOST open for the YAVA book awards in Virginia. This Is Just a Test is a finalist here, too. Voting begins Sunday the 8th. One of the best things about being an author from Virginia is … being an author from Virginia. I love all of these people and you can’t go wrong with whichever book you pick up.

Voting is ALMOST open for the New-York Historical Society Book Prize. This Is Just a Test is one of the four finalists and we couldn’t be happier! If it wins, Wendy and I will be in NYC in May.

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funnymilk copykidlitjIn Funny Girl, a collection of middle-grade stories by funny, female authors, there is a lot of talk indentifying humor as a super power. As someone who dreams of making milk come out of readers’ noses*, I couldn’t agree more. Many women have already embraced this power, as editor Betsy Bird knew when she contacted 25 women for the anthology in the first place.

But women with super powers are often overlooked (see: Wonder Woman’s stint as JSA secretary. Or practically any woman in politics).  We see recommendations for funny books with nary a woman’s name on the list. Heck, we see recommendations with lists that are 42 percent Jeff Kinney. Last week, as an experiment, I tried a simple Google search for  “funny kids books.” You can try it, too. (Granted, Google isn’t a respected librarian, but the algorithms create a fair representation of what I’ve encountered elsewhere.) For me, the resulting list was 46 titles, 24 percent by female authors. Authors of color — of any gender — were utterly lacking. Yet their stories are out there and taking notice of that is important.

“Humor is the grease that gets us through life,” the very funny Wendy Shang told the very funny Marjorie Ingall recently, during a serious moment. We need humor and the laughter that accompanies it. Even the Mayo Clinic says so. Which is why I wanted to use this space, during March, when we’re highlighting contributions of women, to lift up some funny female writers with a focus on middle grade and to give them a place at the table, a place on a list. Women are funny. Including them in your recommendations sends a message to the next generation of would-be female authors that they can be funny, too. They can be anything. And when women aren’t included? That sends a message, too.

Crystal Allen: Molly Burnham introduced me to this author after Crystal Allen won the Sid Fleischman Humor Award from SCBWI — the first African-American woman to do so. I checked out the Magnificent Mya Tibbs series and laughed straight away. Allen’s characters include Fish, Mya Papaya, Nugget, and Mean Connie Tate. Says Mya about Mean Connie: “She’s wearing an apron with globs of red and blue stains all over it. I bet it’s blood and guts from eating a first grader.”

Cece Bell is one of the funniest people I know in real life, so it makes sense that she would be funny in writing-and-drawing life, too. Shoutouts to El Deafo, Bee-Wigged and I Yam a Donkey. I recently got the sneakiest peek at an easy reader Bell has coming out in 2019. Kiddos learning to read in 2019: You are some lucky ducks. A sample from the middle-grade El Deafo, when Bell narrates the benefits of her phonic ear: Best — or worst — of all, I can even hear Mrs. Lufton when she USES THE BATHROOM.

Squeak. Zzzzip. Tinkle Tinkle Tinkle Tinkle. “Ah… what a relief!”

(Here’s another page with more tinkling. Copyright Cece Bell.)

el deafo panel

Molly Burnham: Burnham also received a Sid Fleischman humor award back when she only had one book out, which shows the committee knew there was more funny to come. Now three books into her Teddy Mars series, she has other stories in the works. A bit of dialogue from Teddy Mars, whose little brother sleeps in the litter box (aka “cat box”) and whose family is like a tongue, which is Teddy Mars for “gross.”

“I was breaking a world record,” I say, wiping my head with a towel.

“With eggs?”

“With the most eggs cracked on the head.”

“How could that possibly be a good idea?”

Kate DiCamillo: Kate DiCamillo’s Mercy Watson books (for younger readers) have garnered  mention on a few what’s-funny lists, along with Flora and Ulysses, the unicorn of a humorous book because it also earned a Newbery. When you have a super hero origin story in which a squirrel develops powers after being run over by a vacuum cleaner, you are in business. Sample situation:

“The squirrel,” said Flora.

“The vacuum cleaner,” said Mrs. Tickham.

Together they stared at the Ulysses 2000X, and at the squirrel who was holding it over his head with one paw.

Firoozeh Dumas: If I had written a book on humor writing that contained a section called Beyond Fart Jokes: Next Level Humor, I’d use that chapter to dissect It Ain’t So Awful Falafel, Dumas’ book about an Iranian family adjusting to life in America. The text has lines that make me laugh and tear up at the same time — laugh because they’re funny; tear up for the raw truth beneath them.

Here are some lines from the beginning, when Zomorod studies the condominium rule book in her new home. “There’s even a drawing of the right and wrong way to put out the garbage. The wrong way looks like our trash in Compton.”

Or when Zomorod dreams of owning a bean bag chair. “I imagine inviting a friend over. The minute she sees the beanbag chair, she knows that even if my parents speak a different language and I do not have a pet and we have no snack foods, I am still cool.”

Barbara Park: Something old: I’m throwing in the late Barbara Park’s Junie B. Jones chapter books because for me, a person’s feelings about Junie B are almost as much of a litmus test as a person’s feelings about Harry Potter. (If you don’t like them you are a pile of stewie pewie tomatoes, that’s what.)

Celia C. Perez: Something new: One of the things I love about The First Rule of Punk, which hits my humorous-school-based-story sweet spot, is the dialogue. Here is a simple exchange between Malú and Joe, who met when Malú ended up seeing the guidance counselor over a wardrobe malfunction of her own devising. Now they are meeting for the second time.

Setting: A coffee shop, where Joe is failing to make the foam in a latte look like a tulip. 

Joe: “You had the raccoon eyes.”

“They weren’t raccoon eyes,” I said with a frown. “They were punk eyes, duh.”

Rita Williams Garcia: The One-Crazy Summer series has voice, voice, voice. Here’s a bit of dialogue from a chapter in P.S. Be Eleven where Big Ma thinks Delphine and her sisters have seen quite enough of the Jackson 5 on TV, even though they are on there for the very first time: “You seen ’em. Now if those boys have any kind of mother and father, they’ll snatch those children off the stage and get them home to bed.”

Lisa Yee: Millicent Min, Girl Genius is funny every time I read it. It’s the tone in lines like this, when Millie is in the library tutoring Stanford, who is describing what it was like to eat a worm. “Before he could finish his tale of culinary curiosity, I got up and did a slow lap around the periodicals.” I recently picked up Yee’s Wonder Woman: Super Hero High, where WW is not a secretary (and not just because she’s still in high school). “Wonder Woman, that one’s yours,” Barbara said, taking a slip of paper from her clipboard. “Flyers always get the top lockers.”


How about Sarah Albee (POOP HAPPENED: A History of the World from the Bottom Up, POISON: Deadly Deeds, Perilous Professions, and Murderous Medicines) Mary Amato (Riot Brothers) Caroline Carlson (The World’s Greatest Detective)  Roshani Chokshi (Aru Shah and the End of Time) Jenni Holm (Baby Mouse et al) Amy Ignatow (The Popularity Papers) Dana Alison Levy (The Misadventures of the Family Fletcher) Lenore Look (Alvin Ho et al.)  The Entire Lumberjanes Crew (The Lumberjanes) Erica Perl (The Capybara Conspiracy et al) Olugbemesola Rhuday-Perkovich (8th Grade Super Zero) Kara LaReau (Bland Sisters/Infamous Ratsos) Rachel Renee Russel (Dork Diaries) Arigon Starr (Super Indian) or Raina Telgemeier (everything)?

The danger of starting a post like this is in leaving so many funny women out, which means it’s your turn. In the comments, please add more funny women and the age group they write for. (I wrote this before reading Dill Werner’s illuminating piece on how to be more gender inclusive. If you have a favorite funny under-represented author who would expand this list in a gender-inclusive way, please mention them.) I’ll add the names, and when we’re done, we’ll have another resource for parents, guardians, librarians, panel coordinators and — most importantly — for kids.

So tell me: Who makes you laugh?

We’re celebrating Women’s History month with 31 days of posts focused on improving the climate for social and gender equality in the children’s and teens’ literature community. Join in the conversation on Facebook or Twitter #kidlitwomen. Thanks to Grace Lin and Karen Blumenthal for getting things started, and to all posters for opening eyes and minds.

Further reading:

This post from Jane Kurtz as part of #kidlitwomen month, with a focus on picture books.

Joyce Wan’s Pinterest page of female illustrators is a great resource that includes loads of funny.

Marcie Colleen and Audrey Vernick talk funny (and about funny)  in this round-table discussion with their literary agents.

This post from Betsy Bird the week Funny Girl came out.

And this post, which offers suggestions for adult lit, mainly. It’s not all women but I’m including it because it started with a woman (Maria Semple) and one of the threads includes YA by Goldy Moldavsky and Anna Breslaw.

*I really have dreamed of making milk come out of readers’ noses. I once wrote a book (with Mary Crockett) for which I studied dream interpretation, so I looked up the milk thing right away. I found several entries on the meaning of milk  (I’m doing something that will make me stronger! I am innocent and pure! And if I’d dreamed I was bathing in milk, it would have meant I was financially comfortable.) No entries for milk spewing from nostrils, however, so I will just have to take it at face value.

(If you are still reading: thank you. This post was loooooonnnnnnnnnngggggg.)

Posted in #kidlitwomen, humor | 5 Comments